Utility is the key to understanding Palladio’s villas. In sixteenth-century Italy a villa was a farm, and in the Veneto agriculture had become a serious business for the city-based mercantile aristocracy. As the Venetian maritime empire gradually crumbled before the advancing Ottoman Turks, Venetians compensated by investing in the terra ferma of their hinterland.
But beauty was equally the determinant of form, though beauty of a special kind. Palladio was designing buildings for a clientele who, whether princes of commerce, traditional soldier-aristocrats or gentlemen of leisure, shared an intense admiration for ancient Rome. They were children of the High Renaissance and steeped in humanist learning. Palladio was the first architect regularly to apply the colonnaded temple fronts to secular buildings.
But the beauty of his villas was not solely a matter of applied ornament. As can be seen particularly in his low-budget, pared-down villas and auxiliary buildings, there is a geometric order which arises from sophisticated systems of proportion and an unerring intuitive sense of design. It is little wonder that Andrea Palladio became the most influential architect the western world has ever known.
Many of his finest surviving villas and palaces are included on this tour, as well as some of the lesser-known and less accessible ones.
Fly at c. 1.30pm (British Airways) from London Gatwick to Venice. Drive to Vicenza where all five nights are spent.
Vicenza. See in Vicenza several palaces by Palladio including the Palazzo Barbaran da Porto, which houses the Palladio Museum, and the colonnaded Palazzo Chiericati. His chief civic works here are the Basilica – the medieval town hall nobly encased in classical guise – and the Teatro Olimpico, the earliest theatre of modern times.
Bagnolo di Lonigo, Poiana Maggiore, Fratta Polesine. The Villa Pisani at Bagnolo di Lonigo, small but of majestic proportions, is considered by many scholars to be Palladio’s first masterpiece. The Villa Poiana, another early work, has restrained but noble proportions. The Villa Badoer at Fratta Polesine, from the middle of his career, is a perfect example of Palladian hierarchy, a raised residence connected by curved colonnades to auxiliary buildings.
Vicenza, Lugo di Vicenza. The hilltop ‘La Rotonda’, a 10-minute drive from Vicenza, is the most famous of Palladio’s buildings, domed and with four porticoes. In the foothills of the Dolomites, Villa Godi Malinverni is an austere cuboid design with lavish frescoes inside. Some free time in Vicenza.
Bassano del Grappa, Maser, Fanzolo. At the lovely town of Bassano there is a wooden bridge designed by Palladio. The Villa Barbaro at Maser, built by Palladio for two highly cultivated Venetian brothers, has superb frescoes by Veronese, while the Villa Emo at Fanzolo typically and beautifully combines the utilitarian with the monumental.
Piombino Dese, Malcontenta. Drive along a stretch of the canal between Padua and the Venetian Lagoon, which is lined with the summer retreats of Venetian patricians. The Villa Foscari, ‘La Malcontenta’, is one of Palladio’s best known and most enchanting creations. Explore one of Palladio’s most evolved, most beautiful and most influential buildings, the Villa Cornaro at Piombino Dese. Fly from Venice to London Gatwick, arriving c. 7.00pm.
Many of the villas on this itinerary are privately owned and require special permission to visit. The selection and order may therefore vary a little from the description above.
Dr Sarah PearsonArchitectural historian and writer specialising in Italy. Her MA focused on the architecture of Andrea Palladio and her PhD investigated convent building in Northern Italy with particular reference to the Duchy of Urbino and the Sienese architect Francesco di Giorgio Martini. Other interests include Renaissance art and English Brutalist architecture. She has taught at the Universities of Reading and East Anglia, and currently lectures at Madingley Hall at the University of Cambridge.
Dr Michael Douglas-Scott
Dr Michael Douglas-Scott mixes scholarship with accessible discourse, wit with reasoned opinion, and is highly sought-after as an art history lecturer. He has lectured for New York University (London campus) and is an Associate Lecturer at Birkbeck College, University of London, specialising primarily in 16th-century Italian art and architecture. He studied at the Courtauld and Birkbeck College and lived in Rome for several years. He has written articles for Arte Veneta, Burlington Magazine and the Journal of the Warburg & Courtauld Institutes.
Price, per person
Two sharing: £2,380 or £2,210 without flights. Single occupancy: £2,670 or £2,500 without flights.
By train: London – Paris – Turin – Milan – Vicenza: c. 13 hours. Contact us for more information.
Flights (Euro Traveller) with British Airways (Airbus A319); travel by private coach; hotel accommodation; breakfasts; 2 lunches and 3 dinners with wine, water, coffee; all admissions; all tips; all taxes; the services of the lecturer.
Hotel Campo Marzio, Vicenza: just outside a city gate of Vicenza, this 4-star hotel is well located and comfortable, with decent-sized rooms. Single rooms are doubles for sole use.
The tour involves a lot of walking, sometimes uphill and over unevenly paved ground, as the coach can rarely get close to the villas or enter town centres. There is a lot of standing outside and inside villas. A good level of fitness is necessary. It should not be attempted by anyone who has difficulty with everyday walking and stair-climbing. Some days involve a lot of driving. Average distance by coach per day: 58 miles.
Between 10 and 22 participants.
Before booking, please refer to the FCDO website to ensure you are happy with the travel advice for the destination(s) you are visiting.
'The itinerary was absolutely perfect. We saw much more than anticipated. The days were full but not tiring. The coach was very comfortable with great visibility.'
'I’ve wanted to see these buildings for many years. The opportunity you offered was much better than we could have done ourselves.'
'The evolution of Palladio’s work became clear as the tour evolved.'
'Our lecturer really made this tour by treating us as his students and not a bunch of geriatrics – there were no little cliques formed.'
'It was exactly what it said on the tin! A delightful mixture of education and aesthetic pleasure.'