Curator and scholar, Professor of Art History at the University of Milan, Antonio studied at the Courtauld Institute of Art, London. He previously worked as Curatorial Assistant at the National Gallery, where he curated the exhibition Titian’s First Masterpiece: The Flight into Egypt (2012). In 2018-19 he curated an exhibition at the Castello Sforzesco (Milan) exploring the origins of the iconography of Michelangelo’s Pietà (Vesperbild: Alle origini delle Pietà di Michelangelo). In autumn 2023, he is curating an exhibition devoted to young Titian at the Gallerie dell’Accademia, Venice (Tiziano 1508). His main research topics are Venetian and Lombard art of the Renaissance, and the history of collecting.
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