Illustrated Handscrolls of The Tale of Genji (The Met).

A Tale of Two Cities: Kyoto and Tokyo - four online talks by Professor Lloyd Llewellyn-Jones

The Japanese Architect Tadao Ando once wrote, ‘In Japan a temple is made of wood. The divine spirit of the building is eternal, so the enclosure doesn’t have to be.’ In other words, Japanese culture finds beauty in impermanence – the celebration of the fleeting cherry blossom, the aesthetics of wabi sabi (imperfection) and mono no aware (wistfulness). Nothing in Japan lasts forever – the power of earthquakes, fires and tsunamis have seen to that – and yet Japan is steeped in a tradition that stretches back to its mythical origins. Cities fall and cities are rebuilt; the traditions do not perish.

In a series of four beautifully illustrated lectures Professor Lloyd Llewellyn-Jones will explore the idea of impermanence/permanence in two pivotal periods in Japanese history, through two specific sites – Kyoto in the Heian era (794 to 1185) and Tokyo (or Edo as it was known) in the period of the Tokugawa Shogunate (1603 to 1868). The talks will examine the history, arts and daily life of Japan in these formative periods of great cultural significance, exposing the richness of one of the world’s great civilisations.

They take place every Tuesday from 6th–27th August at 4.30pm and, including Q&A, will probably last just under an hour. They are available for viewing for eight weeks after the last episode is streamed (22nd October 2024).


Talks

Founded in 794, Heian-kyo (‘Capital of Peace and Tranquility’, present-day Kyoto, became the seat of the court of the Japanese emperor, after it moved from the nearby city of Nara. The new capital would remain the heart of Japan for a thousand years and even today Kyoto is still considered the cultural capital of the country. In this ‘Florence of the East’, the emperor appointed senior advisers who were responsible for government business and who managed to arrogate imperial power for themselves. The exploits of this powerful class of nobles forms the background to Japan’s first great literary masterpiece, The Tale of Genji (Genji monogatari) and this lecture will focus on what the book tells us about life in early Kyoto.

In the Heian period Japan developed its own writing systems. The era is still regarded as a golden age of literature – and it was the work of women that predominated. Not only did Lady Murasaki Shikibu write the brilliant Genji monogatari, but other court ladies wrote poetry and a series of unique literary outputs known as ‘pillow books’ (Makura no soshi). These diaries-cum-musings tell us much about daily life in Heian-era Kyoto and this talk will explore the greatest of them all – the Pillow Book of Sei Shonagon, a dazzling display of comic and melancholy observations on the activities and mores of Heian aristocrats.

Although the emperor nominally ruled from Kyoto, the Tokugawa Shogunate established its administrative capital in Edo – present-day Tokyo – seat of the military government. Tokugawa Ieyasu consolidated his power by eliminating all rivals and his family, the Tokugawas ruled without interruption for over 250 years. With Japan completely closed to foreigners (a policy of isolationism called sakoku), Edo witnessed a tremendous cultural blossoming. This talk explores the creation of Edo and its districts and takes a concentrated look at the lifestyle of the Shoguns and their women within Edo Castle.

Today a district that looks very similar to many other neighbourhoods in modern Tokyo, in the Edo period the area known as Yoshiwara was the greatest ‘pleasure quarter’ in all Japan. This well-known red-light district was created in 1617 by the Tokugawa shogunate, alongside Shimabara in Kyoto in 1640. Created by the shogunate to curtail the tastes of and sequester the nouveau riche chōnin (merchant) classes, the entertainment offered in Yoshiwara would eventually give rise to the creation of geisha, who would become known as the fashionable companions of the chōnin classes. This talk explores the pleasures and dangers of Yoshiwara and examines its depiction in ukiyo-e, popular prints. Alongside the world of courtesans, we will look at actors and the popularity of kabuki drama in the Edo period.


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