posted on 02/06/20
In the early nineteenth century, the architect Andreian Zakharov rebuilt the Admiralty in Neoclassical style inspired by his French teacher Chalgrin and by the visionary architecture of Boullée. The existing tower was incorporated into the new design: there emerged an eye-catching motif of the gilded spire recalling a mast and rising above a classical temple. The poet Osip Mandel’shtam saw it as ‘a frigate or an acropolis, shining from the distance’.
The ample sculptural decoration glorifies daring adventure of conquering the sea. A weather vane in the shape of a three-masted ship, a symbol of the city, tops the spire. The ionic colonnade is decorated with statues of the four winds, the four seasons, the four elements, the goddess of astronomy Urania and Isis, the Egyptian goddess of sailors. The sculptures of Achilles, Ajax, King Pyrrhus and Alexander the Great at the corners above the attic encourage fearless endeavours. The long bas-relief celebrates ‘the creation of the Russian fleet’. The central part of this detailed composition represents Neptune handing his trident to Peter the Great. The triumphal arch with genii of glory above it is flanked by the groups of nymphs carrying spheres. The message is clear: Russia has become a maritime nation with global reach. As a matter of fact the first Russian circumnavigation took place in 1803-1806 and the Russian South Pole Expedition discovered the first land within the Antarctic Circle, Peter I island, in 1819. The building of the Admiralty is an eloquent expression of self-confidence of a rising seafaring power.
Written by Dr Alexey Makhrov
Images provided by Dr Alexey Makhrov.
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